|

Heinzas-Hermannas
Jurczekas (Vokietija).
Decricated to the People of Tunxi.
Mišri technika, 220x400, 1998
|

Heinzas-Hermannas
Jurczekas (Vokietija).
Decricated to the People of Tunxi.
Mišri technika, 220x400, 1998
|

Aušra
Barzdukaitė-Vaitkūnienė.
Tapytojo istorijos.
Mišri technika, 151x71, 2000
|

Eimutis
Markūnas.
Ornamentas nr. 4.
Metalas, audeklas, emalis, aerozolis, 100x132, 1997
|

Takako
Saito (Japonija).
Charlote Morman mažoji muzikos dėžutė.
Objektas, 136x53x34, 2000
|
|
The Annual Art Exhibition in Düsseldorf
by
Raminta Jurėnaitė
The
largest and most important event on the German art scene this year was
the annual North Rhine-Westphalia art exhibition in Düsseldorf. Lithuanian
artists have been participating in this exhibition since 1996. The exhibition
is noted for a large variety of tendencies, media and artistic pursuits.
Here one can find artistic trends prevalent in large international exhibitions,
art markets and galleries, and those born and developing farther from
officially recognized art centres.
In the Düsseldorf exhibition, figurative and object painting, abstract
and realistic expressionism, field painting, constructivist or neo-geo
compositions coexist. This year the main award of the Council of the
Association of Holding Art Exhibitions was granted to the Japanese artist
Takako Saito (b. 1929) who lives and works in Düsseldorf since 1979.
Works by indigenous Australian artists, surrealist paintings by Cuban
artists and works by several Chinese artists distinguished themselves
by their national features derived from ethnic traditions. Even more
surprising were parallels between works by artists from different countries
not aware of each others existence. A subtle dialogue was established
between the blue monochrome canvases by Rūta Katiliūtė and paintings
by Youza Otsuka from Tokyo. Echoes of signs of sub-consciousness could
be noticed in the paintings by Patricija Jurkšaitytė and Ivo Kamphuis
from the Netherlands or Xiabai Su from China. Interesting parallels
between the bright-coloured compositions by Antanas Obcarskas and Eimutis
Markūnas, the more restrained works by Aušra BarzdukaitėVaitkūnienė,
Aistė Ramūnaitė, Asta Rakauskaitė and Arvydas Žalpys, and works of similar
stylistics could be found.
|